Later he worked at BBC Radio 3, first as a producer, producing six studio operas, one of which is now issued in CD form on the Opera Rara label, and many live and recorded programmes, (including the complete works of Ravel). For five years he was in charge of the audition system which looked out new artists and brought them in to the studio. Finally, he was Deputy Head of the department. His production of the first live music broadcast from the then Soviet Union brought a Sony Award in 1986.
He went to be Head of Vocal Studies at the Royal Scottish Academy of Music and Drama for five years, where he re-wrote the degree syllabus for the vocal department, and drew up the plan for the new Opera School, which culminated in the new building completed after his departure to return to free-lance work in London. Since then he has worked as a private teacher, broadcaster (including a weekly season of songs by Schubert during the bicentenary year), and independent producer of programmes for the BBC and of CDs.
His competition jury work includes the Kathleen Ferrier Memorial Prize (twice), the Richard Tauber Prize (twice), and, in Holland, the s'Hertogenbosch International Song Competition (six times). He has twice been a member of the panel of judges at the Leeds International Piano Competition; in 1989 he was in Tel Aviv to join the judges for Arthur Rubinstein Competition; he twice was on the board for the unique competition at The Hague for accompanists.
In his career he has taught at all the major London conservatoires of music, and currently gives classes at the internationally renowned Guildhall School of Music and Drama.
In addition to the hundreds of scripts he has written for radio programmes, many of which he presented at the microphone, he has written articles and reviewed books in Voice journals. He edited the house magazine of the British Voice Association, the leading organisation for bringing together research and information about the Voice from a wide range of top professionals. He was on the panel of the Van Lawrence Prize, an important award for new thought and research about the voice and its use.
He writes fiction for pleasure, enjoying the flights of imagination that encourages, but has so far kept it largely to himself. On a slightly more serious level, he wrote a third leader for the The Times . And on a more practical level, he has completed translations and working notes on the songs of Brahms and of Gabriel Fauré, and a handbook on phonetics and their useful rôle in singing is in the course of construction.